Tag Archives: trauma

Not the Plan by Gia de Cadenet

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Not the Plan by Gia de Cadenet

de Cadenet, Gia. Not the Plan. Dell, 2023. 320 pp. ISBN 978-0593356647. $17.00

**

I really wanted to love this novel. I thought it might be straight read-a-like for Casey McQuiston’s Red, White and Royal Blue–a romance about less than perfect people of color in a political setting. When Isadora, chief of staff to a state rep, accidentally spills coffee on a hot stranger at the airport, things escalate a bit to typical travel stress… but when they are seated next to one another, she decides to drop any instinctual snarkiness and be kind. Their meet cute doesn’t evolve to an exchange of contact information… and no one is more surprised than Isa when Karim turns out to be the new intern at the rival representative’s office. Although from the same party, the interoffice politics are likened to the drama of the Montagues and Capulets (another Shakespeare allusion, this publishing season is full of them) and she can’t be seen fraternizing with the enemy.

Trust is difficult for both Karim and Isadora; he’s struggling to extricate himself from a toxic marriage to a person with poorly managed bipolar disorder, and as he slowly lets down his guard and reveals his past abusive relationship, the symptoms and behaviors he describes very closely mirror those of Isadora’s manipulative, emotionally stunted and demanding mother. The portraits of and compassion for the mental health of others rings true, even as Karim and Isa struggle to set healthy and reasonable boundaries with difficult personalities. Adding to Isa’s stress are her career goals in a men’s world; her reputation is impeccable and political dealings on the level, but she knows just one perceived slip will lead to scandal and being accused of sleeping her way to the top. All she wants is to see her majority leader make it from the state to federal playing field.

The relationship progresses at a believable pace based on their mutual attraction, interests, and values. Supportive roles played by Karim’s brother and Isa’s (gay) best friend and co-worked provide space to vent and add to character development. The political setting gives a glimpse into how the sausage is made, and even the sordid scandal that comes at the denouement rings true. In an ugly scene, Karim and Isadora encounter and deal with sexualization (her) and racial slurs (him) and cope with it well.

As a reader who favors humor, a clever turn of phrase, painterly descriptions and sensory detail, I found the writing straight-forward but too monotonous and pedestrian for my taste–even through the multiple sex scenes, which were blow-by-blow detail and went on for 20+ ebook pages. The repetitive “blunt, honest?” before laying down a truth was overused, as were their pet names (the creative “beautiful” and “gorgeous”). While de Cadenet avoids the pitfalls of telling instead of showing and intersperses dialogue with action with success, there are long passages of exposition, and the vocabulary and actions were not varied like those of a seasoned storyteller. I plodded through, picked up Kiss Her Once for Me by Alison Cochrun as a palate cleanser, and bingo: stellar writing, carefully chosen details, neuroses on full display, quirky characters. Better writing and better editing could have Not the Plan a four-star story.

I received a free advance reader’s review copy of #NotThePlan from #NetGalley.

Lease on Love by Falcon Ballard

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Lease on Love by Falcon Ballard

Ballard, Falcon. Lease on Love. G.P. Putnam’s Sons, 2022. ISBN 978-0593419915 352 pp. $16

****

When misogyny rears its ugly head and Sadie is passed over for a promotion because they went with the boss’s new son-in-law (who has ZERO experience), Sadie’s profanity-laden spouting off leads to her termination. In her wallowing, she decides now might be the time to cheer herself up with online dating (she’s more of a one-night stand type). In one of the best meet-cutes EVER, she sits down for date only to discover the dude in front of her is looking for a roommate, actually. His brownstone is gorgeous and rent is low, so Sadie leaps in and then opts to moonlight as a bartender while she pursues her true passion: floral arranging with local, in-season blooms and found objects as the receptacles.

This is not another NYC 20-something romance. For one thing, Sadie is self-proclaimed supremely annoying. Self-deprecating to a nearly self-abusive fault, she is a bit messy in all aspects of her slap-dash life, has a running verbal diatribe, and is wonderfully redeemed by her warm generosity and humor. Jack, the roommate, is a nerdy gamer reclusive man of mystery who slowly opens up to Sadie, treats her like gold, and intimates he’s interested but just not ready. And shockingly, Ms. One Night Stand realizes A. she wants to bone him and 2. she hasn’t so much as flirted with anyone else in five months because Jack is becoming her everything.

This rom-com has the requisite first kiss… but a more real, welcome, realistic and thank goodness less rare let’s take our time and find mutual satisfaction with consent and patience, and rather than gory details of the first time they have penetrative (it took me like 4 tries to spell that, friends) sex, we glimpse the first time after testing without the condom, and it’s sweet and exquisite and intimate. Obvs, there is the declaration of love, followed by too many secrets, a falling out, and making up–but again, with sweetness and patience and realism.

The diverse supporting characters in this novel are FANTASTIC. Sadie’s ride or die crew are her college suitemates Gemma, a frustrated schoolteacher of Asian descent who wants to make food for a living and Harley, an African-American public defender; and wealthy Nick, who has been hanging around them since college (a nice subplot is his crushing on Harley). They rally whenever Sadie needs something, and befriend Jack (he and Nick have a special bond), even inviting him into the group text chat. The way they all make a family is rich and believable.

There were a few times I found Sadie’s voice a little over the top… and then she redeemed herself by revealing past trauma, or her friends defended her behavior. She was a fully realized, flawed character deserving of love who implements techniques from therapy… and goes back when she needs to do more work.

This was a fast but delicious read, with fun artistic details of becoming a florist and starting your own business and figuring who you are, and who you want to be in your twenties. The cover art feels a little more island-y than Brooklyn, and there was a LOT of drinking (I might be old and judgy) that made me a feel a little out of touch with youth culture, but ultimately this was a very satisfying read.

I received an advance reader’s review copy of #LeaseOnLove via #NetGalley.

Same Time, Same Place by David Barnett

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Same Time, Same Place by David Barnett

Barnett, Dave. Same Time, Same Place. Sourcebooks, 2022. ISBN 9781728249506 336 pp. $16.99

*****

Daisy and Nate are guards at a social history museum, on opposite shifts. Someone jokes that is would make more sense for Daisy to be on days and Nate on nights, but that’s not how it worked out and it’s for the best: Nate is a warm people person and Daisy is well, a bit curmudgeonly, as she follows an exact protocol each shift. Her reports end up in the circular file and the handoff efforts are met with b=gentle teasing.

Thanks to her observance, though, it’s Daisy who notices objects are disappearing–and returning!–from their displays and wants to not only document it, but solve the mystery. Nate gamely joins forces. In the meantime, their supervisor is much more concerned with a campaign to increase the museum’s visibility and bring in new revenue, while a coworker seems to be setting her cap for Nate just as Daisy’s interest is getting piqued.

Alternating chapters reveal character slowly. Daisy has a past trauma that is just alluded to, while Nate is more open about his abusive childhood: getting beaten up by his boxer father who didn’t seem to understand where the line between in the ring and at home was. It’s clear (to me!) as time passes that in addition to being traumatize, Daisy is on the spectrum. At home, she and her sister are caretakers for their mother, dying of cancer; Nate is caretaker to Ben, his 10-year-old son who is coping with his parent’s divorce and mother’s new boyfriend by hanging on a the street corner with a not-very-nice gang of older boys.

Same Time, Same Place looks at a glance like a romance or mystery novel; it contains elements of both, but ultimately is a more psychological and inspiration tale about flipping the narrative. Both characters suffer from the effect of events in their past that form their identity. Nate comments that “History is just the stories we tell ourselves about what happened to make us what we are. Sometimes the stories are true, sometimes they’re not.” The true denouement is not the museum’s solvency, the artifacts disappearance resolved, or even their attraction, but Daisy coming to the same realization that we don’t have to be our past, which ultimately is what allows their relationship to move forward.

Along the way, Barnett addresses family dynamics, racism (subtly) and modern life in Manchester (UK). Superbly written, he masters the voice of both genders. The clever cover design, a diagonal split of deep blue and sunny yellow, represent the many dualities of the novel: Nate and Daisy’s stories, work shifts, custodial responsibilities, traumatic backgrounds, and tandem voices.

I received an advance reader’s review copy of #SameTimeSamePlace from #NetGalley

Jailbait by Leslea Newman

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Newman, Leslea. Jailbait. Delacorte, 2006. ISBN 978-0385734059 256 pp. $17.95

***

In her desperate need to matter to someone, a naive loner is sucked into an inappropriate relationship with a strange older man who abuses her sexually and verbally. Andi, a stereotypical overweight and unpopular tenth grader, nurtures a relationship with a moody adult stranger who offers her a ride home one day. As their relationship progresses, Frank manipulates her into posing for cheesecake photos, losing her virginity and performing sexual acts on him.

This squirm-inducing tale is not sexy or gratuitous, but the content is certainly provocative. Middle class-suburbia offers no protection from pedophiles; the book drives home the reality that an estimated one in three girls are sexually abused before the age of 16. The tragic events of the story are a good jumping off point for a discussion about respect and self-esteem.

Set purposefully in 1971, slang, music and cultural details do flesh out the story, but it’s unclear why the author chose this particular time for the setting of the story. The clever cover of a teen’s face with a censor mark across the eyes indicate the mature content, the “it-could-happen-to any-girl” possibility, and the utter blindness of a young women who mistakes attention for love.

Back Roads by Tawny O’Dell

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Back Roads by Tawny O’Dell

O’Dell., Tawny Back Roads. Berkley, 2004 (reprint). ISBN 978-0451212450 343 pp. $14.99

*****

20-year-old Harley, just arrested, bares the skeletons in his family’s closet in this gritty tell-all. On the cusp of manhood and forced to grow up too soon, Harley juggles two jobs, a shrink, a married woman, and his three younger sisters. Eventually, a ball has to drop. O’Dell has written a tense and exciting novel filled with gruesome and exquisite sensory details of sex, violence, art, lust and crime. Not for the faint of heart! The most remarkable thing about the novel is Harley’s voice–honest, real, and true. Readers will empathize with this young man who is bitter, loving, wise, resigned and innocent.